More Deconstructed Screen Printing

I brought out the screens to try DSP again. I made up a couple of screens and let them dry, while waiting I decided to use stencils on the back of another screen to print previously dyed fabrics.



Using the screen of the of the swirly stencil, I let that dry also for DSP. Remembering to stop printing before the whole design was wasted from the screen, I started to print. I used rubber bands, crinkled saran wrap and sequin waste.

This screen was bubble wrap and hair clips.

This one I used black dye in an extruder and drew flowers and leaves.

The end of the flowers and the stencil screen.

These turned out better than my first try, but I still need more imagination in layering items under the screens.

A couple of days later I dyed gradations of yellow/orange, blue/green, and blue/violet. I used different sets of dye mixtures to get clear colors and muted colors. (Used Linda Johansen's book "Fabric Dyer's Dictionary"). This book is a great resource for dye recipes that can be duplicated with same results every time.

The first set of fabrics are yellow/oranges. On the left is clear using lemon yellow and fushia, on the right is muted using golden yellow and chinese red.

The second set of fabrics are blue/green. On the left is clear using turquoise and lemon yellow, on the right is muted using cobalt blue and golden yellow.

The last set of fabrics is blue/violets. On the left is clear using turquoise and fushia, on the right is muted using cobalt blue and chinese red.

I got a good range of values of clear and muted colors. I have a tendency to lean towards the muted colors, but know that the clear values will come in handy.

The last fabric was a fabric I pre-soaked in soda ash water, laid it out on a plastic covered foam board and squirted muted blue/green and muted yellow/orange dye onto the fabric and let dry in the sun. This will be a great fabric to tie into a triatic color scheme of blue/green, yellow/orange, and red/violet.

My next project is to overdye some of these fabrics.

Come back to see how they come out.

Deconstructed Screen Printing

I've been dyeing fabric the past couple weeks but haven't had the chance to take pictures or blog about it till now.

I started off by cleaning the garage and giving myself some space to do wet work. It's not the ideal studio but it sure beats working outside in the hot sun. Hopefully, soon, my brother will install a sink for me.

When my space was set up I got to work. I've wanted to try Deconstructed Screen Printing (DSP) since I got Kerr Grabowski's video. My attempts are very simplistic, but hey, you got to start somewhere.

As I was screening, I realized that I should have stopped with each screen much sooner than I did. My dyes on the screens didn't last anywhere near as long as Kerr's did.

I then used a window from an old screen door (it's amazing the things you find when you clean) to do monoprinting. Using up some of the leftover thickened dyes, I spread some across the window then used a notched scraper and made quarter circles with it. This was later overdyed with a yellow/orange dye mix.

The second one I used my fingers to make the design. This still needs to be overdyed but here's the picture.

All of these were cured overnight in plastic sheeting.

A few days later I did some low-water immersion dyeing using a couple recipes from the blog Fabric Dyeing 101 (www.fabricdyeing101.blogspot.com). If you haven't been to this website its worth the look. I used some white with black fabrics for added interest.

I started with "Rainbow Light" series using scarlet, lemon yellow and sky blue. Most of them came out how you'd expect except the top 3. Really loved those colors.

I also tried "Rainbox Jewels", using salmon, teal, and violet. Some came out muted and muddy looking but I'm sure they'll get used.

I had a little dye left over so I did 3 layers of fat quarters: Layer 1 teal, Layer 2 salmon, Layer 3 violet. I smooshed them down too much so the colors blended far more than they should have, but I really like them.

The last set was called "Forest Floor Neutrals" using scarlet, sky blue, and lemon yellow. From the website picture they looked like some greens and 2 browns. Not what I got.

These are a great variety of browns. I'm glad they didn't turn out correctly.

A lot of rinsing took place from these sessions, (the part I dislike the most) but well worth it.

To be continued............

Food Fight

I came up with this idea from the name of a TV show"Food Wars". I overlapped the drawings onto a piece of white cotton. Using a water soluble resist I outlined components, let dry, painted these sections with Seta color paint, heat-set and washed out the resist. This process was done numerous times. I continued till I got the effect I wanted. Then I used a light wash of Fabrico Craft Ink over the background.

Now, the scary part, cutting it apart into smaller sections. I say scary because the painting took so long. I cut it into grids, then began rearranging the units for disorganization. When I was happy with the "arrangement" I transferred the pieces to backing and batting. Using invisible thread, I zigzagged each piece to the other.

Then I outline quilted all the elements and added details. When the quilting was finished I sewed an irregular zigzag stitch with variegated thread to reinforce the pieces and add texture.

The edge finishing was zigzag stitched to close all 3 layers together.

After I finished I thought of several different methods I could have used to make the process easier and quicker. I really need to think through the whole quilt process before starting.

Dyeing Results

I finally rinsed, washed, dried, and pressed the fabrics I dyed last week. All the heat from last week kept me at a slower pace. Most all the fabric I was very pleased with, some not as much.

The screen print and one of the monoprinting I really liked. The overdyed colors are very light which as what I was aiming for.

The colors don't photograph well because of the lightness. I did learn though when printing with black I need a more concentrated dye solution for it to come out black and not a very dark gray.The combed through monoprinting that was overdyed with red/orange and red/violet came out darker than what I hoped for. This will probably be used cut up.
The two fabrics that were dyed upright on foam core turned out okay, but I dyed them on dry soda soaked fabric. I think there would have been more blending if they were wet.

The tray fabric that caught the run-off drips came out very interesting and could be used in many different ways.

The fabric with blue stamps and overdyed yellow, bronze and chino could have been blended more but since the fabric was still damp when I did it, I didn't want a lot of mixing with the blue. Allthough I did like the added green elements inside of circles and ovals.
Next time I'll start with dry fabric and then wait till the stamp prints are dry before dyeing over it.

The 3-layered fabrics came out great. They speak for themselves.

The cup dyeing of oranges and grays came out just as I expected, some mottling and dark to light. The nickel and pewter ranges turned out great.

The oranges were stronger than expected, was going for some corals and salmons, but they are beautiful.

All said and done I was pleased with my work and experiments. The heat is still oppressive so I'll work in my studio till it cools a little.

Martha is done with all her rinsing, etc. also. Go to http://marthahallart.com/blog to see her results.

Dyeing Tuesday

Yesterday, my friend Martha and I got out the dyes and set to work(I mean FUN!!) I had a couple of pieces that I monoprinted and screen printed last week, so I added background colors. The monoprint was swirled with black, then overdyed very light yellow, yellow/green and blue/green for the background colors.

This monoprint I used a hair pick through the black dye, then added a red/orange dye for the background. Its not looking to good but I'll see after rinsing.

The screen print was overdyed with diluted yellow, yellow/green and light red.

Also I wanted to try squirting dyes down fabric that was pinned to foam board. I used a yellow, light red and burgundy on this one

and yellow and ultra violet on this one.

I put a third fabric in the bottom tray to catch the drips and got an interesting fabric from it.
This next one I used thickened blue dye and stamped with a pool noodle and luffa sponge, let dry a little

then overdyed with yellow, bronze and chino.

This one was squirted with yellow, burgundy and violet, then I smooshed them around.

These are a few fabrics that are low-water immersion dyed.
Grays


and oranges.

Lastly, I layer dyed fabric starting with yellow on the first piece, crimson on second, and blue on the third.

Can you tell I like orange!!!

Check out Martha's fabrics at www.marthahallart.com/blog to see her works in progress.

They all are being processed and need to be rinsed and washed. It was a busy day but I hope the results are worth it.

I'll post again with the finished results.

Discharge Monday

Monday was discharge day. Discharge with bleach. I used several blacks manufactured by different companies, my hand dyed fabric and commercial batiks. I wanted to see if there were any differences with the blacks and how the batiks and hand dyes would bleach out. I also used bleach thickener on some.

Below are some of my samples.

The top fabric was shiboried with a 50% bleach and 50% water solution on a Robert Kaufman black fabric. The bottom was taped with pieces of masking tape and sprayed with the 50/50 bleach solution using Timeless Treasures black fabric, this came out a peachy/cream color that I really like.

The left fabric was a hand dyed fabric that started out a very dark blue/green. I used a cut-out of a tree branch from a stencil I carved for another project and sprayed 50/50 bleach, water solution. The results really surprised me. The right was a hand dyed fabric that started as a red/violet. I used 2 TBS bleach thickener and 1/4 c of bleach and 1/8 c water, and sponged with a couple different pieces of foam sponges.

The left fabric was twisted in a swirl and squirted 50/50 bleach and water solution in the folds. This was an unknown black batik. The right was a Gee's Bend dark red solid that I shiboried with a 50/50 bleach solution. Another real favorite.

The left was a hand dyed fabric I squirted with yellow and blue dyes and swished around. I used a purchased stencil on it with thickened bleach. The right was a blue/green hand dyed fabric that I used a Clorox bleach pen on for water ripples.

These are commercial batiks that I used purchased stencils with bleach thickener.

After the fabrics bleached to the colors I wanted I rinsed in water, then put in Anti-Chlor solution for about 15 minutes, rinsed again and then machine washed and ironed.

I had a great time experimenting with this process and will do again later this summer.

Fluttering Leaves Continued

I started the quilting on my sun printed leaves quilt. I outlined around each stem and leaf, then continued outline quilting each section.

I then embroidered a stem stitch for the veins in each leaf with hand dyed silk embroidery floss.

I finished the edges with a thin binding using one of the stem fabrics.