The past few days I've been discharging, overdyeing and doing 3 layer parfaits.
I started with previously dyed fabrics for discharging. I started with decolorant and stenciled a few fabrics. After they dried I steamed the fabric to activate the decolorant. I was not very satisfied with the results.
I had expected a much clearer design result. It could have been that I didn't use enough, but felt if I used more, it would have leaked under the stencil and given a blurred image. I'll have to try again using a different approach.
I went back to my usual discharging of using soft scrub wigth stencils, thermofax screens and circles with a bleach pen. The soft scrub reacts fast, then rinse and soak in anti-chlor to stop the bleach reaction. I never know what the discharge coloring will be, but thats part of the excitement.
My plan after discharging was to overdye the fabrics with thickened dyes and the same stencils. I mixed the thickener with diluted dyes for the colors I wanted. Some were dark enough to work, others weren't and didn't show up. Lesson 1 - learned that I should have used straight dye solution with the thickener to make it more concentrated.
Below are ones that did turn out good. A couple I overdyed several times with different colors.
I also fold dyed fabric using different folding methods , then dipped the edges into the dyes. Lesson 2- don't squeeze out excess dye. this spreads the dye too much and end up with mushy designs.
Towards the end I didn't squeeze the fabric and got clearer results.
The last day I used up extra dye and made a couple sets of 3 layer parfaits. On the right I started with first layer of orange/brown mix, layer 2-dark red, layer 3- brown. Each layer absorbed some of the next color layer and worked out good. On the lef,t I started with green, layer 2-navy, and layer 3-purple. The colors were too closely related and color mixes didn't come out as clearly.
The next ones I used half yard pieces instead of fat quarters. Left side I started with yellow/green, layer 2- dark green, and layer 3-brown. the colors flowed nicely through all layers. The right side layer 1-red/violet, layer 2-purple, and layer 3-gray. These 3 fabrics basically kept that layers color.
I was happy with most of my work and fabrics that didn't turn out I decided to paint instead. It was a productive few days and am now waiting for some sunny days with little humidity to try flour paste resist.


The two fabrics that were dyed upright on foam core turned out okay, but I dyed them on dry soda soaked fabric. I think there would have been more blending if they were wet.


Next time I'll start with dry fabric and then wait till the stamp prints are dry before dyeing over it.
The cup dyeing of oranges and grays came out just as I expected, some mottling and dark to light. The nickel and pewter ranges turned out great.
The oranges were stronger than expected, was going for some corals and salmons, but they are beautiful.
All said and done I was pleased with my work and experiments. The heat is still oppressive so I'll work in my studio till it cools a little.
This monoprint I used a hair pick through the black dye, then added a red/orange dye for the background. Its not looking to good but I'll see after rinsing.
The screen print was overdyed with diluted yellow, yellow/green and light red.
Also I wanted to try squirting dyes down fabric that was pinned to foam board. I used a yellow, light red and burgundy on this one
and yellow and ultra violet on this one.
This next one I used thickened blue dye and stamped with a pool noodle and luffa sponge, let dry a little
then overdyed with yellow, bronze and chino.
This one was squirted with yellow, burgundy and violet, then I smooshed them around.
These are a few fabrics that are low-water immersion dyed.
Lastly, I layer dyed fabric starting with yellow on the first piece, crimson on second, and blue on the third.
Can you tell I like orange!!!



I feel I had more success this time around with the batiking. I learned to start off waxing with smaller designs first and with each layer of wax making the designs larger, also starting off with lighter dye colors and progressing darker.
